Tibetan Astrological Carved Wood Blocks – པར་རྐོ། – AN Explicated Iconography – Mask festival Pekhdi Fagli in Pekhdi village – Tirthan Ghati – Banjar – Kullu District – Himachal Pradesh

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

June 19, 2021

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ASTROLOGICAL PRINTING BLOCKS

པར་རྐོ། – 木刻版

AN EXPLICATED ICONOGRAPHY

Both The “Naktsi” or “Black astrology” (so called because in Tibetan China is called the ‘black area), and the’ “Astrology of the Elements” or Jungtsi, the two most important Tibetan astrological systems, have a Chinese origin. Chinese astronomy and astrology originate in particular in the Tibetan context concepts with an iconographic implication (which is part of our research) such as the Trigrams from the I Ching, the Mewa or nine magic squares, the twelve animals, the five elements. Chinese astrology was probably introduced in Tibet by Princess Kongyo in 643,  who married the first Buddhist king of this land.

© 2021 Ethnoflorence Photo Archives Collection – Photo & Composition by Ethnoflorence

A Tibetan astrological diagram showing the nine Mewa (center), surrounded by the 8 Trigrams, and by wheel of the twelve animals .

Ethnoflorence Photo Archives Collection

Astrological Carved Wood Block – no 68906 – Collection Rubin Museum of Art – Photo Credit Himalayan Org.

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The Wheel of the 12 Animals


The twelve animals: Mouse, Ox, Tiger, Hare, Dragon, Snake, Horse, Sheep, Monkey, Bird, Dog, and Pig are associated with hours, days, months and years. Each animal is connected to an element that represents its life force, a direction, a specific sex and certain personality characteristics.

© 2021 Ethnoflorence Photo Archives Collection – Photo & Composition by Ethnoflorence

The Wheel of 12 animals iconographically constitutes the outer band of the astrological block.

Extract from – The Buddhism of Tibet, or Lamaism with its mystic cults, symbolism and mythology, and in its relation to Indian Buddhism – (1895)

Difference between the Tibetan Wheel of the 12 animals and the Western Zodiac


The Tibetan wheel of 12 animals, with its 12-fold division, is certainly similar, from an iconographic point of view, to its western counterpart, the zodiac, but it differs in meaning because while in the West the zodiac the signs of the people are determined by the solar calendar, in the East the sign is determined according to the year of birth by turning the cycle of 12 animals in succession from year to year. The pattern followed by the animal wheel involves this succession is: Mouse, Ox, Tiger, Hare, Dragon, Snake, Horse, Sheep, Monkey, Bird, Dog, and Pig. As mentioned, therefore, the 12-year animal cycle is repeated from year to year. Another difference with the western calendar lies in the fact that the beginning of the new year does not coincide with the first of January, but this date is placed in coincidence with the new moon closest to the month of February.

The Planets and Calendar & Symbols of Days of the Week – Extract from – The Buddhism of Tibet, or Lamaism with its mystic cults, symbolism and mythology, and in its relation to Indian Buddhism – (1895)

The Nine Mewa


or ‘nine colored islands’ derive from the I Ching and Chinese numerology, and are each associated with a color, direction and element – from an iconographic point of view they constitute the central part of the composition

Sometimes the nine Mewa, as in the image on the right, are arranged in a magic square which gives a total of 15, in anyway and however they are added together.

THE EIGHT TRIGRAMS – PARKHAS

Middle part of the composition between the twelve signs and the nine Newa are the Eight Trigrams (Parkhas) representing the equivalent of the Chinese pa-kua, which form the basis of the I Ching, based on the concept of Yin and Yang.

© 2021 Ethnoflorence Photo Archives Collection – Photo & Composition by Ethnoflorence

The Parkhas represent the elements of Fire, Earth, Metal, Sky, Water, Mountain, Wood and Wind and are an extension of the theory of the five elements.

Geometric Trigamas – Extratc from – The Buddhism of Tibet, or Lamaism with its mystic cults, symbolism and mythology, and in its relation to Indian Buddhism – (1895)

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An Iconographic Resume

© 2021 Ethnoflorence Photo Archives Collection – Photo & Composition by Ethnoflorence

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HIMALAYAN MASKS

A LIVING TRADITION

SERIES

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Mask festival Pekhdi Fagli in Pekhdi village – Tirthan Ghati – Banjar – Kullu District – Himachal Pradesh

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Where the evil powers are chased out of the village by a masked procession that carries out obscene acts interspersed with insults and obscene songs.

Photo Credit of https://himachalsamay.com/

This is a Fagli festival that is organized annually during Falgun Sankranti (फागुन सक्रांति).

Through the dance of the masks the demoniac influences are removed from the village, so as to be able to ensure rain, good harvest, happiness, prosperity throughout the rest of the year.

Photo Credit of Photo Credit of https://www.himachalnews.co/news/

The 3-day Pekhdi Fagli festival is held in the Pekhdi village of Tirthan Ghati in the Banjar subdivision of the Kullu district of Himachal Pradesh.

The villagers of Pekhdi participate in this festival along with the local people of the Tirthan valley.

Photo Credit of https://www.himachalnews.co/news/

The village geographically located in a remote area of mountainous character, is surrounded on all sides by mountains and forests,the dances in which the masks are worn are performed only by male members of 7 different local families.

Photo Credit of https://www.himachalnews.co/news/

After this, for 3 days, they do the parikrama of each house and village with musical instruments, and after worshiping the deity on the last day, the demonic spirits are driven out of the village.

In this festival, women are forbidden to watch dance in some places because obscene acts are also done in this by abusing them with obscene songs.

The first day is celebrated the Chhoti Fagli, in which the dance and circumambulation are performed only in a limited area. The second day Badi Fagli is organized in which Mandayale, wearing a mask, enters every house in the country and blesses it with happiness and prosperity.

On this day, a special Chiladdu dish is prepared throughout the village and in the evening a great dance is organized in the Devta Maidan, in which men and women dance together.

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The wooden part of these eye-slit masks similar to much of the HP production is characterized by a – basic light monochrome – decorated with – red lines and red dots interspersed with green dots – a thick beard attached under the nose covers partially the mouth – the upper part houses a sorghum structure that creates a particular scenographic effect to the general structure.

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UPCOMING AUCTIONS

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CHEZ

(A)

Millon – Ventes aux enchères

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CARNETS DE VOYAGES ONLINE
ART TRIBAL D’AFRIQUE, D’OCEANIE & DU NEPAL

vendredi 25 juin 2021 13:30

Online Catalogue here

from 307 to 344

Himalayan lots

https://www.millon.com/catalogue/116118?

Worth noting is an interesting Tharu post richly decorated representing the Tharu shrine female deity (normally with five prongs on the top – here are six) Daharcandi ( preventing epidemic) –

Photo Credit of Millon – Ventes aux enchères

(lot 320) https://www.millon.com/lot/116118/15417044?offset=300&

For an explicated inconography – Nepalese  Tharu’s Shrine Iconography – नेपाली थारू की श्राइन आइकोनोग्राफी

This image has an empty alt attribute; its file name is tharu-shrine.jpg

Photo credit of Musée du Quai Branly, donateur Alexander William MacDonald (collection)

The figure represents the Tharu shrine male deity village Cabahwa (protector of the hearth & village) , normally combined with the female deity (with five prongs on the top) Daharcandi ( preventing epidemic) –

यह आंकड़ा थारू तीर्थ पुरुष देवता ग्राम कैबहवा (चूल्हा और गाँव का रक्षक) का प्रतिनिधित्व करता है, सामान्य रूप से महिला देवता (शीर्ष पर पांच प्रंगों के साथ) दहरचंडी (महामारी को रोकने) के साथ संयुक्त है –

Together the effigies of Cabahwa and Daharcandi – the row of five wooden small pegs – in this Furer Haimendorf pic SOAS Library (PPMS19_6_THAR_0067 – caption: Two statues with peacock and other symbols carved into )- represent the Hindu epic Pandava’s five brothers.

कैबहवा और दहरकंडी के पुतलों के साथ-साथ पांच लकड़ी के छोटे खूंटे की पंक्ति – इस Furer Haimendorf pic SOAS लाइब्रेरी (PPMS19_6_THAR_0067 – कैप्शन: में दो मूर्तियों के साथ मोर और अन्य प्रतीकों को उकेरा गया है) – हिंदू महाकाव्य पांडव के पांच भाइयों का प्रतिनिधित्व करते हैं।

This image has an empty alt attribute; its file name is together-the-effigies-of-cabahwa-and-daharcandi-the-row-of-five-wooden-small-pegs-in-this-furer-haimendorf-pic-soas-library-ppms19_6_thar_0067-caption-two-statues-with-peacock-and-other-.jpg
Photo Credit of Furer Haimendorf  SOAS Library (PPMS19_6_THAR_0067 – caption: Two statues with peacock and other symbols carved into )

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(B)

Auction Art Remy le Fur & Associes

La Collection

25 ans d’ecletisme

8 Juillet 2021 a 13h30

offers some lots with Nepalese masks

More info here

http://www.auctionartparis.com/ventes-aux-encheres-536/2021-07-08-la-collection-25-ans-declectisme-

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Traversées Arts d’Asie, Ancien et Moderne Chez AuctionArt – Rémy Le Fur & Associés

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

October 10, 2020

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UPCOMING AUCTIONS

PARIS

Traversées Arts d’Asie, Ancien et Moderne  Chez AuctionArt – Rémy Le Fur & Associés

 Drouot Richelieu – Salle 5 – 9, rue Drouot 75009 Paris FR

https://www.auction.fr/_fr/vente/traversees-quot-arts-d-asie-ancien-et-moderne-65566

© Photo credit of Remy le Fur

Traversées” Arts d’Asie, ancien et moderne  chez AuctionArt – Rémy Le Fur & Associés
AuctionArt – Rémy Le Fur & Associés Drouot Richelieu – Salle 5 – 9, rue Drouot 75009 Paris FR

LOT 90

Bhairava
Népal, 16 -17e siècle
Bois avec traces de polychromie, H : 60 cm
Provenance : Collection Kerner

https://www.auction.fr/_fr/lot/bhairava-nepal-16-17e-siecle-bois-avec-traces-de-polychromie-h-60-16932222

LOT 137

INDRA
Népal, 16-17e siècle
Bois avec traces de polychromie
H : 76 cm
Puissante représentation du roi des dieux, qui était assis, les bras maintenus horizontaux. Il est richement paré d’une tiare et colliers. Son troisième oeil caractéristique sur le front.
Provenance :

Sotheby’s London June 5th 1989, lot 4Sotheby’s March 26th 1998, lot 93
Collection W. Quasha 1998-2016, Royaume-Uni

https://www.auction.fr/_fr/lot/indra-nepal-16-17e-siecle-bois-avec-traces-de-polychromie-h-76-cm-16932269

Lot 138

Tara
Népal, circa 15è siècle
Bois polychrome, Hauteur : 92 cm

La divinité se tient debout en appui sur la jambe droite en léger tribhanga.
Richement parée, elle porte une tiare ouvragée orné d’un beau kirtimukha, boucles d’oreilles circulaires, colliers, ceinture, écharpe. Beaux restes de polychromie dont certains d’origine.

https://www.auction.fr/_fr/lot/tara-nepal-circa-15e-siecle-bois-polychrome-hauteur-92-cm-la-divinite-se-16932270

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SELECTED BIBLIOGRAPHY

Speaking of Himalayan Masks – Fausto Doro – Il Primate a Stazione Eretta I – 1974 – probably one of the very first publication in which ‘our’ kind of materials were published.

© Fausto Doro – Il Primate A Stazione Eretta I – 1974

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Gana Naach Devi Pyakha

Kritipur 2077

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Shikhali Jatra

Shikhali Jatra

© Photo Credit Jaa Dangol – & https://www.facebook.com/laachinepal/photos/pcb.191589612416553/191588722416642

It’s celebrated by a section of the ethnic Newar community living in Khokana, a medieval Newari heritage village in the southern part of Kathmandu valley. The villagers, though practicing Hindus, do not celebrate Dashain. In place of Dashain they observe the colourful Shikhali Jatra. The five-day long festival is dedicated to goddess Shikali also known as ‘Ajima’ or mother goddess. Masked dances following tantric rituals are performed by dancers garbed in colourful attires during the festival. The dancers represent 14 gods and goddesses of the Hindu pantheon. A wooden chariot with the idol of Goddess Rudrayani is carried through the village streets, finally resting in front of the Shikali Temple located on a grassy hill just outside the village. On the fourth day of Jatra, the devotees celebrated the festival with using mask and face shield at Khokana.

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Extract from Our

Photo Archive Collection

Middle Hills Mask

Photo Ethnoflorence

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COLLECTION POSTCARDS AND PRINTS OF THE PAST

PATAN

Drawing by Henry Ambrose Oldfield dated March 1853

Drawing by Henry Ambrose Oldfield dated March 1853

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Last Updating 11.21.2020

AUCTIONART REMY le FUR & Associates 15 novembre 2019 Arts Premiers – Galerie Kanaga Mukha Mela 2019 – Hushmandi, Dakshin Dinajpur. Nov 8-10 2019

ETHNOFLORENCE

INDIAN AND HIMALAYAN

2019-12-02 (233).png

Celebrate the Beauty of Dancing Mask – Mukha Mela 2019 – Hushmandi, Dakshin Dinajpur. Nov 8-10 2019

FOLK AND TRIBAL ARTS

UPCOMING AUCTIONS

November 2, 2019

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AUCTIONART

REMY le FUR

& Associates

15 novembre 2019 à 14h00

Arts Premiers

Drouot Richelieu Salle 4

PDF CATALOGUE

http://www.auctionartparis.com/public/upload/6749761a1df12218b293e002fccf7ac2.pdf

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Lot n° 27

Lampe

3 500 / 4 000 €

Lampe
d’autel chamanique représentant une procession à dos d’éléphant, accompagné d’un animal et de plusieurs personnages sur son dos. Ces animaux sont inclus dans une structure de fer forgé soutenant cinq lampes à huile (une manque) et une sorte de dais circulaire au bord crénelé.
Fer forgé recouvert d’une épaisse patine noire.
Région de l’ouest du Népal.Himalaya.
Hauteur : 57 cmProvenance :
Galerie Kanaga. Paris.
Acquis auprès d’Éric Chazot.
Collection de Mme et M. E. Paris.

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Lot n° 29

Protecteur

800 / 1 000 €

Protecteur
de pont ou de village orné d’une tête la bouche largement ouverte.
Bois dur fortement raviné.
Région du Nord-ouest du Népal. Himalaya.
Hauteur : 100 cmProvenance :
Jean Michel Huguenin . Galerie Majestic. Paris.

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Lot n° 33

Masque

3 000 / 3 500 €

Masque
représentant un visage humain à l’expression farouche renforcée par d’importantes restaurations indigènes en métal reliant les différentes parties.
Bois dur à ancienne patine laquée noire.
Ouest Népal. Himalaya.
Hauteur : 23 cmProvenance :
Galerie Kanaga. Paris.
Acquis auprès d’Éric Chazot.
Collection de Mme et M. E. Paris.

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UPCOMING EXHIBITIONS

Mukha Mela

2019

Hushmandi, Dakshin Dinajpur

Nov 8-10 2019

Mukha Mela.png

Mukha Mela 2019  Hushmandi, Dakshin Dinajpur  Nov 8-10 2019

2019-12-02 (238).png

Chador Badoni

2019-12-02 (244)

Chador Badoni

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SANTAL TRIBAL ART

A

RESUME

58373011_2642536312426645_8883814250305290240_n (1)

Exposition Instruments De Musique Des Santal Et Des Ho, 1991. Photo Credit Galerie Le Toit Du monde Paris

TRIBAL ARTS OF THE SANTAL PEOPLE

https://ethnoflorence.wordpress.com/2012/04/05/tribal-arts-of-the-santal-

SANTAL PANELS

SANTAL BANAM

SANTAL FLUTES

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DSCN2755
Unknown India, Ritual Art in Tribe and Village, Philadelphia Museum of Fine Art, 1968

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Last Updating 11.25.2020

REMY LE FUR & ASSOCIES ARTS PREMIERS Lot 148 Grand protecteur chamanique

ETHNOFLORENCE

INDIAN AND HIMALAYAN

640

Nepalese Newari polichromy terracotta’s Head, Ethnoflorence Archive Collection Scheda no 640

FOLK AND TRIBAL ARTS

November 16, 2018

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UPCOMING AUCTIONS

AUCTION ART

REMY LE FUR

&

ASSOCIES

ARTS PREMIERS

03 décembre 2018 à 14h00Arts premiers

Drouot-Richelieu – Salle 7

http://www.auctionartparis.com/ventes-aux-encheres-440/2018-12-03-arts-premiers

Exposition publique

Samedi 1er décembre de 11h à 18h.
Lundi 3 décembre de 11h à 12h.

Lot 148

Grand protecteur chamanique

 1,34m

Provenance : Éric Chazot

(Vendu 4 000 €)

see the lot here

protecteur

Photo credit of: http://www.auctionartparis.com/ventes-aux-encheres-440/2018-12-03-arts-premiers/99669-grand-protecteur-chamanique-

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(II)

EXTRACTS

FROM OUR PHOTO ARCHIVES

COLLECTION

Ancient nepalese red monochromy primitive mask

(Mask # 28)

Photo & Composition by Ethnoflorence

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Last Updating 12.18.2020