ETHNOFLORENCE
INDIAN AND HIMALAYAN
FOLK AND TRIBAL ARTS
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(I)
Santal Parganas People Carved Wooden Panels of the Wedding Litters
“… WHEN A SANTAL CRAFSMAN BEGINS HIS WORK ON THE LITTER, A PAIR OF PIGEONS IS SACRIFICED …..WHEN THE LITTER IS COMPLETED AND ITS OWENER TAKEN POSSESSION TWO MORE PIGEONS ARE PART OF ANOTHER SACRIFICE … THE ACTIVITY OF CARVING IS PART OF THE MARRIAGE RITE, AS IS THE PROCESSION OF THE MARRIAGE LITTER…”
(Unknown India: Ritual Art in Tribe and Village, Stella Kramrisch, Philadelphia 1968)
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Low relief narrative carvings, in an extremely frontal profile style, using the words of Ms Stella Kramrisch “…somehow paralleling Egyptian reliefs…”.
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A Similar Iconography in a fan from Southern Nepal
N1 Detail.
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I cavalieri rovesciati sono i Miracoli.
L’idea è che essi si distruggono, diventano elemento bruciato …
Il cavaliere non sta più bene sulla terra, vuol bucare la crosta terrestre, sforare nel cosmo.
Non gli è consentito stare tra gli uomini che tranquilli non sono più.
Il cavallo cede e il cavaliere si perde”
(Marino Marini)
Detail.
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Another part of the procession.
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Detail.
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Detail.
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Detail.
Procession.
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Monumental frontal view.
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An interesting collection of Santal Parganas scroll paintings is edited
by Hervé Pedriolle on http://santalparganas.blogspot.com/ .
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Detail.
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Detail.
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Detail.
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Detail.
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(II)
Scenes that describe some episodes of the Santal Hul
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Santal Hul. “Hul “is a Santali term, it means a movement for liberation and remember the Santal insurrection of the 1855 (read more on “Santal Hul insurrection of Santal 1855-56: Expoits of Sidhu, Kanhu, Chand and Bhairab” by P. Sinha).
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N2 Santal Hul.
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Santal Hul
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