INDIAN AND HIMALAYAN FOLK AND TRIBAL ART,
AROUND 70 PAGES, 260 ARTIFACTS, 2300 PICS EDITED
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Himalaya, land of the masks … coming soon. Photo courtesy fbormanator http://www.flickr.com/photos/bormanator/2088188901/
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SANTAL PARGANAS PEOPLE CARVED WOODEN PANELS OF THE WEDDING (LITTERS) PALKEE AND A STILISTIC COMPARATION WITH SOME THARU PEOPLE PANELS.
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… WHEN A SANTAL CRAFSMAN BEGINS HIS WORK ON THE LITTER, A PAIR OF PIGEONS IS SACRIFICED …..WHEN THE LITTER IS COMPLETED AND ITS OWENER TAKEN POSSESSION TWO MORE PIGEONS ARE PART OF ANOTHER SACRIFICE … THE ACTIVITY OF CARVING IS PART OF THE MARRIAGE RITE, AS IS THE PROCESSION OF THE MARRIAGE LITTER…” (Unknown India: Ritual Art in Tribe and Village, Stella Kramrisch, Philadelphia 1968)
PAGE IN PROGRESS…Unique on the Web, and not only.
Low relief narrative carvings, in an extremely frontal profile style, using the words of Ms Stella Kramrisch “…somehow paralleling Egyptian reliefs…”.
The plastic solidity of this low relief carving raider remember me a poetry that the Italian sculpture Marino Marini wrote for his raiders: ” I cavalieri portano dentro di sé la pazienza stoica dell’uomo antico che vede sprofondare il suo mondo e tuttavia non si arrende”.(Marino Marini 1944)
Marriage procession.
About the exhibition :” Palkee: Wedding Conveyances of North India” at the Crocker Art Museum of Sacramento ( 216 O Street, Sacramento, CA 95814 USA ) more information on
http://www.crockerartmuseum.org/exhibitions/exhib_pages/Palkee.htm
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About the Oral Tradition and Primal Elements in the Santhal Musical Texts see the interesting writing by Mr Onkar Prasad on http://ignca.nic.in/ps_01014.htm .
N1 Detail.
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N2 Detail.
N2 Detail.
N2 Detail.
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N3 Side A view.
N3 Side A view detail.
Side A detail view.
Side A detail view.
Side A detail view.
Side A detail view.
Side B view
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Side B detail view.
Side B detail view.
N3 Top side view.
N3 frontal view.
N4 Detail view.
N4 Detail view.
N4 detail view.
N4 detail view.
N4 Detail view.
Monumental dancers on sari costume.
Dancers detail view.
Dancers detail view.
Dancers in group. This iconography is common also with the one of the top of the Santal Banam lute.
Dancers detail view.
Dancers detail view.
Musicians.
Musicians.
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We can refind the same monumental and frontal iconography style of the dancers in some of the most ancient and authentic Santal Banam carved tops . Photo Courtesy Sanza Art Premier Collection Bruxelles.
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Santal Banam carved top.
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Santal Banam carved top.
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Dancers and musicians. la Revue Sciences et Voyages année 1955 – n° 110 “Les Santals peuple gai dans l’Inde tragique”
Reportage de C. V. Sassoon.
N5 Monumental frontal detail view.
N5 side A view.
N5 side A view detail.
N5 side A view detail.
Side A detail view.
Side B view.
Side B view detail.
Side B view detail.
Wodden nail, N5 detail view.
N6 Santal Hul.
Santal Hul. “Hul “is a Santali term, it means a movement for liberation and remember the Santal insurrection of the 1855 (read more on “Santal Hul insurrection of Santal 1855-56: Expoits of Sidhu, Kanhu, Chand and Bhairab” by P. Sinha).
Santal Hul.
Santal Hul.
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Santal Hul.
Santal Hul.
Santal Hul.
N7 Side A view.
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Side B view.
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Frontal view.
Back side view detail.
N8 Detail view.
N8 Detail view.
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N9 detail view.
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Detail view close-up
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N10 frontal view. Important the number of subjects carved on this panel.
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Maternity … and dancers.
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Maternity close-up detail view. Great brown patina of this panel.
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Dancers and musicians.
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Musicians.
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Musicians. See the great brown encrousted patina of the artifact.
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N11 frontal view.
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Detail view.
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Detail view.
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Dancers and musicians.
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Detail.
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Detail.
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N12 Frontal view.
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Detail view.
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Detail view.
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Detail view.
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N13 Frontal view.
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Detail view.
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Detail view.
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Detail view.
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Detail view.
N14 Side A view.
N14 side B view .
N14 side B view detail.
N15 side A view.
N15 side A view detail.
N15 side B view.
N16 Detail view.
Detail view.
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N17 view.
N17 detail.
N18 View.
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Side B view.
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Monumental frontal view.
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N19 frontal view.
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N20 Frontal view.
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N21 Frontal view.
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WORK IN PROGRESS
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