INSTRUMENTS DE MUSIQUE SANTAL ET NEPALAIS PANNEAUX DE PALANQUINS SANTAL

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

September 17, 2022

***

CURRENT EVENTS

Galerie Le Toit du Monde

INSTRUMENTS DE MUSIQUE SANTAL ET NEPALAIS

Photo credit of Tribal Art Magazine & Galerie Le Toit du Monde Paris

PANNEAUX DE PALANQUINS SANTAL

The exhibition is a tribute to Francois Boulanger et Francoise Bouhiere

Photo credit of Galerie le Toit du Monde Paris

In 2007 Gustavo Gili talked to me about the presence on the web of a new website where it was possible to view reproduced images of objects relating to Nepalese arts showed in recent or ongoing exhibitions. The website suggested to me by Gustavo Gili turned out to be the blog of Francois Boulanger. In those years the Internet began to spread information to an ever wider audience, but books and magazines still dominated the “market” of images (for a little longer).

That moment represented a sort of watershed between the old and new world of information.

So, if on the one hand I was always looking for new information, on the other I also wanted to start something on the web, dedicated to the popular arts of the Himalayas; without knowing exactly how and where.

Francois’ blogs, he had several, were at the time characterized by an orange background, and were dedicated to exhibitions of all the primary arts, as well as musical instruments. The fact that he particularly collected African “Sanza” made him known by that nickname.

I remember that after contacting him we started exchanging information, it was thanks to his encouragement, inspiration and suggestions that in May 2008 I started curating my Ethnoflorence blog on the same Belgian platform-Skynet.be, which hosted his blogs.

With Francois, and in a very “artisanal” way we published on our blogs (at the same time) in 2008 an online exhibition on Santal’s Banam. It was an ‘editorial’ experiment repeated on other occasions later, also with the support of the French site Detours des Mondes (for greater content sharing).

From 2009 with the spread of social networks, in particular Facebook, the ‘cultural’ role of the ‘blog-sphera’ gradually began to decrease, in addition to the taste of the public, increasingly oriented towards ‘fast’ ‘viasual’ news rather than ‘in-depth’ content ‘.

This led to the closure of Skynet first in Belgium, then in France and to the definitive migration of the surviving blogs to the wordpress platform.

When I saw the banner of the current exhibition, all these memories suddenly came back to my mind and I needed to write him a public thank you – so thank you Sanza for inspiring me, today as it was 15 years ago.

Photo credit of Marta Meozzi & Andrea Mordacci – Galerie Le Toit du Monde – Photo Composition by Ethnoflorence

Photo Credit of Tischenko Gallery – Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

*

En 2007, Gustavo Gili m’a parlé de la présence sur le web d’un nouveau site où l’on pouvait voir des images d’objets relatifs aux arts népalais exposés dans des expositions récentes ou en cours. Après une recherche sur le web, j’ai découvert qu’il s’agissait des blogs de François Boulanger. Au cours de ces années, Internet a commencé à diffuser des informations à un public de plus en plus large, mais les livres et les magazines ont encore dominé le “marché” des images . Ce moment a représenté une sorte de ligne de separation entre l’ancien et le nouveau monde de l’information. Alors, si d’un côté j’étais toujours à la recherche de nouvelles informations, de l’autre j’avais aussi envie de lancer quelque chose sur le web, dédié aux arts populaires de l’Himalaya ; sans savoir exactement comment et où. Les blogs de François, il en avait plusieurs, étaient à l’époque caractérisés par un fond orange, et étaient consacrés aux expositions de tous les arts primaires, ainsi qu’aux instruments de musique. Le fait qu’il ait particulièrement collectionné les “Sanza” africaines l’a fait connaître sous ce surnom. Je me souviens qu’après l’avoir contacté, nous avons commencé à échanger des informations, c’est grâce à ses encouragements, inspirations et suggestions qu’en mai 2008 j’ai commencé à organiser mon blog Ethnoflorence sur la même plate-forme belge-Skynet.be, dans lequel il a publié ses blogs. Avec François, et de façon très “artisanale” nous avons publié sur nos blogs (en même temps) en 2008 une exposition en ligne sur le Banam de Santal. Il s’agit d’une expérience « éditoriale » répétée à d’autres occasions par la suite, également avec le soutien du site français Detours des Mondes (pour un plus grand partage de contenus). A partir de 2009 avec la généralisation des réseaux sociaux, notamment Facebook, le rôle « culturel » de la « blog-sphère » a progressivement commencé à diminuer, outre le goût du public, de plus en plus orienté vers l’information « rapide » plutôt que in -profondeur ‘ Cela a conduit à la fermeture de Skynet d’abord en Belgique, puis en France puis à la migration définitive des blogs survivants vers la plateforme wordpress. Quand j’ai vu la bannière de l’exposition en cours, tous ces souvenirs me sont soudain revenus à l’esprit et j’ai eu besoin de lui écrire un merci public – alors merci Sanza de m’avoir inspiré, aujourd’hui comme il y a 15 ans.

Photo Credit of Tischenko Gallery – Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

*

Nel 2007 Gustavo Gili mi parlo’ della presenza sul web di un nuovo sito in cui si potevano visualizzare le immagini di oggetti relativi alle arti nepalesi (ma non solo) esibiti in mostre recenti o in corso , Dopo una ricerca sul web scoprii essere i blog di Francois Boulanger. In quegli anni Internet iniziava a a diffondere informazioni ad un pubblico sempre piu amplio, ma libri e riviste dominavano ancora il “mercato” delle immagini (anche se per poco). Quel momento rappresentava una sorta di spartiacque tra il vecchio e nuovo mondo della informazione. Allora, se da una parte ero sempre alla ricerca di nuove informazioni, dall’altra volevo avviare qualcosa anche sul web, dedicato alle arti popolari dell’Himalaya; senza sapere esattamente come e dove. I blog di Francois, ne aveva diversi, erano all’epoca caratterizzati da uno sfondo arancione, ed erano dedicati alle mostre di tutte le arti primarie, oltre che agli strumenti musicali. Il fatto che collezionasse particolarmente “Sanza” africane lo rese noto con quel soprannome. Ricordo che dopo averlo contattato iniziammo a scambiarci informazioni, è stato grazie al suo incoraggiamento ispirazione e suggermmento che nel maggio 2008 ho iniziato a curare il mio blog Ethnoflorence sulla sua stessa piattaforma belga-Skynet.be. Con Francois, e in modo molto “artigianale” abbiamo pubblicato sui nostri blog (contestualmente) nel 2008 una mostra online sui Banam dei Santal. Fu un esperimento ‘editoriale’ ripetuto in altre occasioni in seguito, anche con il supporto del sito francese Detours des Mondes (per una maggiore condivisione dei contenuti). Dal 2009 con la diffusione dei social network, in particolare Facebook, il ruolo ‘culturale’ della ‘blog-sphera’ iniziava progressivamente a diminuire, oltre a modificarsi il gusto del pubblico, sempre piu’ orientato per notizie ‘fast’ piuttosto che per contenuti ‘approfonditi’ . Questo determino’ la chiusura di Skynet prima in Belgio, poi in Francia e poi la definitiva migrazione dei blog sopravvisuti sulla piattaforma wordpress. Quando ho visto il banner della mostra in corso, tutti questi ricordi mi sono tornati in mente all’improvviso e avevo bisogno di scrivergli un ringraziamento pubblico – Quindi grazie Sanza per avermi ispirato, oggi come 15 anni fa.

Photo Credit of Tischenko Gallery – Photo Composition by Ethnoflorence

Photo Credit Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

*

Photo Credit of Marta Meozzi & Andrea Mordacci – Sanza Arts Premiers 2008- Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

*

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

*

Photo Credit of Marta Meozzi & Andrea Mordacci – Sanza Arts Premiers 2008- Photo Composition by Ethnoflorence

Photo Credit of Sanza Arts Premiers 2008 – Photo Composition by Ethnoflorence

****

*

Galerie Indian Heritage – Parcours des Mondes 2022

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

September 16, 2022

***

(I)

RECENT EVENTS

PARIS

PARCOURS DES MONDES 2022

GALERIE INDIAN HERITAGE

Photo credit of Parcours des Mondes Paris (Catalogue) https://www.parcours-des-mondes.com/

PARIS

Photo Credit of Indian Heritage Gallery http://www.indianheritage.biz/

http://www.indianheritage.biz/

21 rue Guénégaud, 75006 Paris, France

+33142775848 / +33619637753

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo credit of Sam Singer – Photo Composition by Ethnoflorence

*

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo Credit of Sam Singer – Photo Composition of Ethnoflorence

*

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo Credit of Sam Singer – Photo Composition of Ethnoflorence

*

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo credit of Marta Meozzi & Andrea Mordacci / PDM – Photo Composition by Ethnoflorence

*

Photo Credit of Indian Heritage Gallery Paris http://www.indianheritage.biz/

Photo Credit of Indian Heritage Gallery Paris http://www.indianheritage.biz/

***

(II)

GALERIE INDIAN HERITAGE PARIS

Photo Composition by Ethnoflorence / Galerie Indian Heritage, Asian Art in Bruxelles 2014

GENERAL LINK ON ETHNOFLORENCE

https://ethnoflorence.wordpress.com/category/collection-indian-heritage-paris/

***

(III)

“Instruments de Musique Santal et Nepalais”

contextual and parallel to the Parcours des Mondes, is the exhibition devoted to the collection of Francois Boulanger better known as Sanza, presented by (the)

Le Toit du Monde Gallery Paris

https://ethnoflorence.wordpress.com/category/collection-galerie-le-toit-du-monde-francois-pannier-paris/

Photo Credit of Marta Meozzi & Andrea Mordacci – Galerie Le Toit du Monde Paris – Photo Composition by Ethnoflorence

COMING SOON

***

Photo credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence – PDM 2022 Galerie Indian Heritage

***

Last Updating 2022 10 28

TRIBAL, AFRIQUE ET NEPAL Galerie Alain Bovis Parcours des Mondes 2022

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

September 15, 2022

***

(I)

RECENT EVENTS

PARIS

PARCOURS DES MONDES 2022

Today we begin to present a selection of Himalayan materials recently exhibited in various galleries at the Parcours des Mondes in Paris, documented in the photographic material – mainly – by the friends Marta Meozzi and Andrea Mordacci – edited and composed in the following pages and upcoming publications.

Thanks also go to the galleries that have authorized the photographic shooting of the materials.

So let’s start in this post with the Himalayan objects present in the exhibition

TRIBAL, AFRIQUE ET NEPAL

at the

Galerie Alain Bovis

Photo Credit of Galerie Alain Bovis – PDM 2022 Catalogue

***

Alain Bovis and Véronique du Lac have curated an exhibition in which objects characterized by a strong ‘character’ were mixed in a plastic comparison that saw materials belonging to the African traditional arts area and that of the Himalayan region (mostly Nepalese) confront each other.

The exhibition is characterized by a studied scenography in which the alternation of the colors of the walls, or their monochrome appearance, combined with the color of the columns (for exhibitions) and a knowledgeable use of lights enhance the items exhibited.

It might seem a logical assumption, all scenographies should have the aim of enhancing the ‘character’ of the exhibited objects, but it does not always happen, which is why I emphasized it in this case.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

Alain Bovis et Véronique du Lac ont organisé une exposition dans laquelle des objets à fort “caractère” étaient mêlés dans une comparaison plastique qui voyait se confronter des matériaux appartenant à le secteur / domaine des arts traditionnels africains et à celle de la région himalayenne (principalement népalaise). L’exposition se caractérise par une scénographie étudiée dans laquelle l’alternance des couleurs des murs, ou leur aspect monochrome, alliée à la couleur des colonnes (pour les expositions) et une utilisation savante de la lumière mettent en valeur les objets exposés. Cela peut sembler une hypothèse / un argument logique, tous les ensembles devraient avoir pour objectif de renforcer le “caractère” des objets exposés, mais cela ne se produit pas toujours, c’est pourquoi je l’ai souligné dans ce cas.

*

The scenographic combination of white and red of this wall – from which the exhibiting columns seem to emerge, greatly enhances the character – of this votive figure.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

La combinaison scénographique du blanc et du rouge de ce mur – d’où semblent émerger les colonnes exposées, valorise grandement cette figure votive népalaise.

*

In this case the monochrome (by tones) between wall and column enhances the presentation of this monumental phurbu, as if it stood out austere in the void, giving it a sacred aspect.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

Dans ce cas le monochrome (par tons) entre mur et colonne valorise la présentation de ce phurbu monumental, comme s’il se détachait austère dans le vide, lui donnant un aspect sacré.

*

Typical Nepalese figure presenting a considerable erosion of the surfaces, in this – as in similar cases – to the purely plastic element of the artifact – the action of atmospheric elements must be added – the union of these two ‘forces’ produces a new effect – different from that desired by the artist – which serves to give it a real new ‘character’, generally ‘dramatizing’ (as in this case) its appearance.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

Figure népalaise typique présentant une érosion considérable des surfaces, en cela – comme dans des cas similaires – à l’élément purement plastique de l’artefact – il faut ajouter l’action des éléments atmosphériques – l’union de ces deux ‘forces’ produit un nouvel effet – différent de celui souhaité par l’artiste – qui sert à donner à l’artefact un véritable “caractère” nouveau, généralement “dramatisant” (comme dans ce cas) son apparence.

*

The two-tone red / white combination of the background – serves to give a more aggressive ‘character’ to this Nepalese animistic mask. Some elements of the mask are detailed to its side.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

La combinaison bicolore rouge/blanc du fond – sert à donner un “caractère” plus agressif à ce masque animiste népalais. Certains éléments du masque sont détaillés sur son côté.

*

Anthropomorphic Huka Banam of the Santal or Munda people, the instrument is played in the manner of Dhodro Banam, the most interesting object of the exhibition in my opinion.

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

Anthropomorphe Huka Banam du peuple Santal ou Munda, l’instrument est joué à la manière du Dhodro Banam, l’objet le plus intéressant de l’exposition selon moi.

*

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*

Photo Credit of Marta Meozzi & Andrea Mordacci – Photo Composition by Ethnoflorence

*************

(II)

Galerie Alain Bovis

General Link on Ethnoflorence

https://ethnoflorence.wordpress.com/category/collection-alain-bovis-paris/

***

(III)

GALERIE INDIAN HERITAGE

PARIS

https://ethnoflorence.wordpress.com/category/collection-indian-heritage-paris/

COMING SOON

***

GALERIE GRADIVA Résonance : Jean-Michel Basquiat et l’Univers Kongo Parcours des Mondes 2022

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

September 12, 2022

***

CURRENT EVENTS

PARCOURS DES MONDES 2022

*

GALERIE GRADIVA 

Résonance :

Jean-Michel Basquiat et l’Univers Kongo

©Photo Credit of Tribal Art Magazine

©Photo Credit Galeria Gradiva – Photo Composition by Ethnoflorence

In collaboration avec les galeries Bernard Dulon et Gradiva.

Photo Ethnoflorence Archives Collection

Avec le concours et le soutien du Musée royal de l’Afrique centrale de Tervuren.

From 7 September, the Gradiva gallery inaugurates an event of great international relevance, the exhibition “Resonance, Jean-Michel Basquiat and the Kongo Universe”, which can be visited until 19 November 2022.

From the photoghrapic details here reproduced we can sense a great preparation around this exhibition – the result of two years of passionate preparation – study – work.

An extreme attention to all the detail.

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

The scenography is designed by Rene Bouchara.

The selection of Congo traditional art is entrusted to the curator of the Royal Museum for Central Africa in Tervuren – Mr Julien Volper, and to Bernard Dulon, an expert of the matter.

Last but not least – the conception of the project was started by Enrico Navarra in 2020, who died in the meantime, and has been continued thanks to the work of Alexandra Dubourg, Doriano Navarra and Romain Brun for the selection of Basquiat’s works to be exhibited.

©Photo credit of Emma Chapiulie

Photo Ethnoflorence Archives Collection

In the elegant rooms at 9 quai Voltaire, the exhibition proposes a plastic dialogue between the iconic figures of Jean Michel Basquiat emerging from his drawings and the equally powerful and majestic figures of Kongo carved on wood.

The scenography, as already mentioned, is extremely accurate, as in the photo reproduced below where the asymmetry of the lights that fall from the ceiling – elegant in its round terminal bulbs- is well balanced by the absolute symmetry produced by the exact combination of the four square frames on the right with respect to the larger one in the central wall – whose figure (cental in the drawing) seems to constitute the perspective focal point of a harmonious combination in which the work of art blends with the architecture of the place and with the installations – in a single whole – unique – ephemeral – and unrepeatable.

©Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

©Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

©Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

Photo Ethnoflorence Archives Collection

©Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

©Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

©Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo & Composition by Ethnoflorence

© Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

© Photo Credit of Srdjan Sremac – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Ethnoflorence Archives Collection

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

Photo Credit Updating in Progress – Photo Composition by Ethnoflorence

***

PARCOURS DES MONDES 2022 – THISCHENKO GALLERY ARTS FROM THE PEOPLES OF THE NORTH

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

September 10, 2022

***

CURRENT EVENTS

PARCOURS DES MONDES 2022

*

THISCHENKO GALLERY

ARTS FROM THE PEOPLES OF THE NORTH

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

https://www.parcours-des-mondes.com/en/page/tischenkogallery.html

https://tischenko-gallery.com/

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

The Tischenko Gallery during the fair will be exhibit at the Galerie Loeve & Co 15, rue des Beaux-Arts

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

Photo credit of https://tischenko-gallery.com/ & Giuliano Arnaldi – Photo Composition by Ethnoflorence

Photo credit of https://tischenko-gallery.com/ – Photo Composition by Ethnoflorence

*****