PHURBA PHURBU KILA PHURBAS DAGUES RITUELLES SHAMANISTIC RITUAL DAGGER TIBET NEPALESE RITUAL WEAPON

PHURBU PHURBU KILA PHURBAS DAGUES RITUELLES NEPAL TIBET TRIBAL SHAMANISTIC ART PHURBU PHURBU PHURBA TIBET TIBET TIBET NEPAL NEPALESE ART RITUAL TRIBAL SHAMAN SCIAMANICA SCIAMANESIMO.jpg

The nepalese shaman is the bridge, the link and mediator between the real and invisible world.

The double sided membrane drum Dhjangro is the peculiar, indispensable, and one  of the most important, pharaphernalia of the western nepal  shamans.

Small metal objects and seeds are hooked inside the drum.

The drumstick is named Gajo.

PHURBU PHURBA PHURBU KILA PHURBA PHURBU PHURBA PHURBA DAGUE RITUAL PUGNALE SCIAMANICO SHAMANISTIC SHAMANIC SCIAMANICO PHURBU PHURBA.jpg

The double sided drum Dhyangro has a close morphological, but not iconographic, affinity with the analogous double sided tibetan drum called NGA-CHEN in which we can re-find an handle, in a form of lotus, installed in the wodden frame of this double sided instrument.

 According Mr Eric Chazot some shamans of the western Nepal don’t use the drum themselves, so the musical accompaniment, essential for the trance, is provided by the untouchables (Art and Shamanism in the Himalayas, on Tribal Arts, 1:1/2000) http://www.tribalarts.com/feature/himalayas/

 The top section of the Phurbus/Dhyangro handle is normally constituted of three faces with different expressions representing human emotions: one  wrathful, one indifferent, the third Joyful.

  A Vajra (in Sanskrit or rdo-rje in Tibetan) or thunderbolt-diamond is carved in the central part of the item held in place by “eternal knots”. On the top of the triangular blade of the Dhyangro handle/phurba we can normally find the representation of the sea-divinity named  Makara (in sanskrit,chu-srin in Tibetan) a monster half crocodile and half elephant. Seldom the makara is replaced with the effigy of Garuda or like in one example of our collection by the really geometric representation of a ram-head. Rarely by anthropomorphic figures. In one piece of our collection the makara figure is ‘crowned’ with three human primitive faces.

 According to Mr Francoise Pannier the central structure of the item, in which the Vajra is positioned vertically above the skull of the Makara could recall the myth of Indra freeing the waters of the earth and killing the serpent Vritra who  had stolen all the water of the world (‘Phurbu, Un hypothese sur ses origines’ in Art Chamanique Népalais, Editions Findakly, Catalogue of the exhibition Masques & Arts Tribaux Himalayens, Galerie Le Toit Du Monde Paris 2007).http://www.letoitdumonde.net/actualites/index.html

PHURBU PHURBA SHAMANISTIC SHAMANIC RITUAL DAGGER DAGUE RITUEL HIMALAYA TIBET NEPAL PUGNALE SCIAMANICO ESORCISMO EXORCISM NEPAL TRIBAL ART PREMIERS PRIMITIVE.jpg

https://ethnoflorence.wordpress.com/category/collection-bill-marsh/

The blade bursts from the jaws of the Makara and  has a three sided strucure, in which are traditionally carved single or entwined pairs of snakes (naga in sanskrit, klu in Tibetan). Their talismanic presence gave to the item the power to make it rain, they are also the guardians of the water and of the undeworld.

 Others subjects carved on the singles blades are the moon and the sun, the trident (Trisul) symbol of the God Shiva, representation of shamans in namaste posture or holding a Dhyangro, the ritual vase  bumba, the water bowls etc.

PHURBU PHURPA SHAMAN NEPAL TIBET RITUAL DAGGER ARTS TRIBAL PREMIERS PRIMITIVE.jpg

RICHARD LAIR COLLECTION

https://ethnoflorence.wordpress.com/category/collection-richard-lair/

https://ethnoflorence.wordpress.com/2010/01/25/nepal-mask-himalayan-tribal-art-richard-lair-collection-a-sensitive-selection/

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AN IMPORTAN AND UNIQUE TAMANG’S SHAMANISTIC KIT

FROM AN AMERICAN COLLECTION

https://ethnoflorence.wordpress.com/2010/01/19/nepal-shaman-art-tamang-shaman-kit-bill-marsh-collection-faces-of-devotion-indian-sculpture-from-the-figiel-collection-on-view-april-10-2010-to-january-16-2012-peabody-essex-museum-salem-ma/

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INDIAN MASKS AT NATURAL HISTORY MUSEUM OF NEW YORK. THE ART OF INDIAN ASIA, Heinrich Zimmer. ALS DIE GOTTEN NOCH JUNG WAREN MASKEN UND SKULPTUREN AUS DEM HIMALAYA. Pierre Zink Eric Chazot.

ETHNOFLORENCE

INDIAN AND HIMALAYAN FOLK AND TRIBAL ARTS

2008 2016
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WESTERN NEPAL

THE ARCHETYPIC ICONOGRAPHY OF AN ARTISTIC LIVING TRADITION III

Photo courtesy of  Paulo Grobel

https://ethnoflorence.wordpress.com/2010/04/19/autres-maitres-de-linde-creations-contemporaines-des-adivasi-musee-du-quai-branly-paris/

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THE ARCHETYPIC ICONOGRAPHY OF AN ARTISTIC LIVING TRADITION III Photo courtesy of  Paulo Grobel

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See more on

https://ethnoflorence.wordpress.com/2010/04/19/autres-maitres-de-linde-creations-contemporaines-des-adivasi-musee-du-quai-branly-paris/

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MASKS OF THE HIMALAYAS

Old fragmentary nepalese mask
(Inventory no. 114)

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Himalayan male mask
(Inventory no 51)

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Old Nepalese male mask
(Inventory no 46)

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Ethnoflorence Himalayan photo Archive

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INDIAN MASKS AT NATURAL HISTORY MUSEUM OF NEW YORK

ETHNOFLORENCE  INDIAN AND HIMALAYAN  PHOTO ARCHIVE.

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 Mask of Ravanna, demon ruler of Lanka, the enemy of Rama in the Ramayana, it’s used in the RAMILLA, a cycle of plays based on Rama’s life. North India 20th century.

2 Shadow puppet of goatskin, representing Rama. Andhra Pradesh, 20th century.

3 Three dimensional figures of Rama, Lankshmane (Rama’s brother) and Sita are used in the Dashahara festival for the Ramilla. Delhi, 20th century.

4 Figure of a Lambadi woman from Gujarat performs a tribal dance with a copper vassel balanced on her head. 20th century.

5 Indian folk painting used in Rajastan by a traveling bard as background while he recites, dances and mimes the story of the hero Pabuji Rathore. The painting depicts scenes from the hero’s life. Mewar, Rajastan, late 19th century.

6 Cloth hangings with woodblock designs show Brahma, patron of the theather, and his consort Sarasvati, patroness of music. Andhra Pradesh, 20th century.

7 In the basket are Rajasthani marionettes used to tell stories of the Rajput princes, of knightly exploits, and of loves lost and found. Rajasthan early 20th century.

8 Peacock feather crowned headdress of the Pootham actor, used by Perawannams of South India, involves a very formal and difficult theater tradition. South Malabar 20th century.

9 Chhau mask of Ravanna, demon king of Lanka, enemy of Rama. State of Seraikella , Bihar 20th century.

10 Chhau mask of Durga, consort of Siva, State of Seraikella , Bihar 20th century.

11 Chhau mask of Ganesha, son of Siva, State of Seraikella , Bihar 20th century.

12 The Nandi Bull of Siva, polychrome wood. Bombay early 20th century.

13 Mask representing Chandama, paper machè, Varanasi, 20th century.

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THE ART OF INDIA

 its mythology and transformations, Heinrich Zimmer,  completed and edited by Joseph Campbell with photographs by Eliot Elisonfon and others, Pantheon Books.

022023

 

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Ethnoflorence Indian and Himlayan library.

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NEPALESE FIGURE

(Inventory no 3)

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Ethnoflorence Indian and Himalayan photo Archive

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TAMANG SHAMANIC KIT

SEE MORE ON

https://ethnoflorence.wordpress.com/category/collection-bill-marsh/

 courtesy of BILL MARSH collection; B/W pics courtesy of Josh Lustig   http://www.joshlustig.com/; text courtesy of Italo Bertolasi  from “Jhakri uomini con le ali” Nepal 1971, written  for the exhibition “Viaggi a Oriente”  http://www.italobertolasi.com/viaggioriente.htm  and http://www.italobertolasi.com/index.html.

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Courtesy of Bill Marsh

SEE MORE ON

https://ethnoflorence.wordpress.com/2010/01/19/nepal-shaman-art-tamang-shaman-kit-bill-marsh-collection-faces-of-devotion-indian-sculpture-from-the-figiel-collection-on-view-april-10-2010-to-january-16-2012-peabody-essex-museum-salem-ma/ 

&

https://ethnoflorence.wordpress.com/category/collection-bill-marsh/

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PIERRE ZINK

-ALS DIE GOTTEN NOCH JUNG WAREN
MASKEN UND SKULPTUREN AUS DEM HIMALAYA

QUAND LES DIEUX ETAIENT ENCORE JEUNES
MASQUES ET SCULPTURES DE L’HIMALAYA

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Catalogue of the September 2002 exhibition at Museum of Ritterhaus Offenburg of Mr Pierre Zink Himalayan Art collection.

Text by Mr Pierre Zink (introduction) and Mr Eric Chazot.

https://ethnoflorence.wordpress.com/category/collection-eric-chazot/

Among  the different chapters of the catalogue: L’art chamanique de l’Himalaya (Shamanistische Kunst im Himalaya); Le chamane et ses instruments de pouvoir (Der Shamane und seine Macht-Instrumente); Le dhyangro (Die Dhyangro); Le phurbu (Der Phurbu); Sculptures de protecteur (Skulpturen der Schutzgottheiten); Les instruments de musique (Die Musikinstrumente); Le masques (Die Masken).

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RICHARD LAIR COLLECTION

 A SENSITIVE SELECTION

SEE MORE ON

https://ethnoflorence.wordpress.com/2010/01/25/nepal-mask-himalayan-tribal-art-richard-lair-collection-a-sensitive-selection/

&

https://ethnoflorence.wordpress.com/category/collection-richard-lair/

courtesy of Richard Lair.

Nepalese shaman pictures courtesy of    Josh Lustig   http://www.joshlustig.com/; Vincent Van den Berg http://web.mac.com/vincentvandenberg/shi/Index.html , Manishakya http://www.flickr.com/photos/manishakya/  Arts Premiers Collection Bruxelles  , undated nepalese post card.

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SEE MORE ON

https://ethnoflorence.wordpress.com/2010/01/25/nepal-mask-himalayan-tribal-art-richard-lair-collection-a-sensitive-selection/

&

https://ethnoflorence.wordpress.com/category/collection-richard-lair/

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SUBSCRIBE TO OUR NEWSLETTER

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AB ORIGINE OCEANIC ART, MERL LA VOY, FILIPPO BIAGIOLI MAP MUSEO ARTI PRIMARIE PRESIDIO DI SAVONA MERCATO DELLE IDEE

AB ORIGENE, OCEANIC ART,  MERL LA VOY , FILIPPO BAGIOLI

5 Dicembre 2009- 31 Marzo 2010

MAP MUSEO ARTI PRIMARIE  PRESIDIO DI SAVONA MERCATO DELLE IDEE  presso il Mercato Civico di  Corso Mazzini
http://www.tribaleglobale.info/

Following the style of TRIBALEGLOBALE some pictures of the Oceanic pieces actually on display in the exhibition of Savona are here mixed , contaminated, with Himalayan items, in an archetipic dialogue of forms and symbols between the arts of the people of  these two far continents.

The pictures of the MAP, THE MUSEUM OF PRIMARY ART, are kindly courtesy of  the Curator of the Museum and of the TRIBALEGLOBALE project, Mr Giuliano Arnaldi.

Read more on: http://web.mac.com/tribaleglobale.mac/iweb/english/who%20we%20are.html

About the work of the  italian artist FILIPPO BIAGIOLI see and read more on http://www.filippo-biagioli.com/

The Himalayan items and pictures come from:

Ethnoflorence Collection

Arts Premiers, Primitive Art Primitif Collection  Bruxelles

Richard Lair Collection

https://ethnoflorence.wordpress.com/2010/01/25/nepal-mask-himalayan-tribal-art-richard-lair-collection-a-sensitive-selection/

Mamberti Dias André Collection

Josh Lustig  http://www.joshlustig.com/

 Horst Antes Collection

http://www.artcyclopedia.com/artists/antes_horst.html , http://www.abaa.org/books/226173686.html ,

Chrisitian Lequindre Nepal Tribal Art

Bill Marsh Collection

https://ethnoflorence.wordpress.com/2010/01/19/nepal-shaman-art-tamang-shaman-kit-bill-marsh-collection-faces-of-devotion-indian-sculpture-from-the-figiel-collection-on-view-april-10-2010-to-january-16-2012-peabody-essex-museum-salem-ma/

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HIMALAYAN ART NEWS GALERIE LE TOIT DU MONDE PARIS

ETHNOFLORENCE

INDIAN AND HIMALAYAN FOLK AND TRIBAL ARTS

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2008 2016

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Himalayan art news 2010

Text by Francois Pannier

GALERIE LE TOIT DU MONDE

http://www.letoitdumonde.net/

6 RUE VISCONTI 75006 PARIS

tel. 01 43 54 27 05 / contact@letoitdumonde.net

Pictures from  the ETHNOFLORENCE ARCHIVE

Le dernier numero de TRIBAL ART de l’hiver 2009 met à l’honneur l’Himalaya dans deux articles.

Celui sur

-LA NEBULEUSE HIMALAYENNE

de BERENICE GEOFFROY-SCHNEITER à travers deux expositions:

AU PAYS DU DRAGON – ART SACRES DU BHOUTAN

au MUSEE GUIMET  à Paris

et

MASQUES DE L’HIMALAYA

https://ethnoflorence.wordpress.com/2009/08/31/masques-de-lhimalaya-martigny-valais-suisse-16-may-2009-a-fin-decembre-2010-fondation-bernard-et-caroline-de-watteville-fondation/

à la FONDATION BERNARD ET CAROLINE DE WATEVILLE à Martigny (Suisse).

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Rue du Levant 34 1920 Martigny Tel. 41 (0) 27 720 49 20

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www.museesaintbernanrd.ch

– Le second article, de FRANCOISE POMMARET 

LE MASQUES DU BHOUTAN OBJETS, SIGNIFICATIONS ET VALEURS

fait une synthèse de nos conoissance actuelles sur le cérémonies masquées de ce pays.

Le Musée International du Carnaval et du Masque  de Binche (Belgique)

http://www.museedumasque.be/

dans le cadre de son exposition

CARNET DE VOYAGE – EN QUETE D’IMPRESSIONS

sur la Chine présente quelques masques tibétains, puisque le Tibet en fait actuellement parti, à cote de masques et marionettes chinois.

– Conjoitement à l’exposition des Masques de l’Himalaya de Martigny, le 5 février sera inauguréè l’exposition sur les

MASQUES DES VALEES SUISSES

Où Sseront présentés des masques provenant de différent collections et musées dont ceux de Bale et de Kippel dans le valée du Lotschental.

Un catalogue sera édité à cette occasion.

-Ce début d’année est ricge en évènement liés à l’art de l’Himalaya.

-Le MUSEE DE LA CASTRE, au Suquet à Cannes rouvre sa salle himalayenne entièrment rènovèe.

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C’EST PROBABLEMENT L’ENSAMBLE LE PLUS COMPLET, LE PLUS COHERENT D’OBJECTS CHAMANIQUE ET DE MASQUES QUE L’ON PUISSE TROUVER ACTUELLEMENT EXPOSE EN EUROPE. 

MUSEE DE LA CASTRE NEW HIMALAYAN ROOM

https://ethnoflorence.wordpress.com/2009/12/27/musee-de-la-castre-cannes-france-himalayan-classic-folk-and-tribal-arts-new-stuff-ethnoflorence-indian-and-himalayan-folk-and-tribal-arts-photo-archive/

MUSEE DE LA CASTRE OLD HIMALAYAN ROOM

https://ethnoflorence.wordpress.com/2009/10/11/musee-de-la-castre-of-cannes-himalayan-room/

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RECENT AUCTIONS

ROSSINI

MAISON DE VENTES AUX ENCHERES

Mardi 19 Janvier 2010*

2010 rossini

ROSSINI

ENSEMBLE DE MASQUES DE L’HIMALAYA

*

 

NEPAL MASK HIMALAYAN TRIBAL ART RICHARD LAIR COLLECTION, A SENSITIVE SELECTION

 ETHNOFLORENCE

INDIAN AND HIMALAYAN FOLK AND TRIBAL ARTS

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2008-2016

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STAY IN TOUCH WITH US

SUBSCRIBE TO OUR NEWSLETTER

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NEPAL LAND OF THE MASKS

 

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NEPAL LAND OF THE MASKS

 Coming soon.

-NEPAL. SHAMANISM AND TRIBAL SCULPTURE, Christian Lequindre, Marc Petit.

In collaboration with

NEPAL TRIBAL ART

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see more on: 

https://ethnoflorence.wordpress.com/2012/01/12/nepal-chamanisme-et-sculpture-tribale-christian-lequindre-marc-petit-nepal-tribal-art/

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RICHARD LAIR

COLLECTION

A SENSITIVE SELECTION

Photo courtesy of Richard Lairs


Nepalese shaman pictures courtesy of    Josh Lustig –  https://ethnoflorence.wordpress.com/2009/02/01/nepalese-shamans-a-voyage-in-the-soul-trance-ecstasy-and-healing-with-the-photos-of-josh-lustig/ –   http://www.joshlustig.com/; Vincent Van den Berg http://web.mac.com/vincentvandenberg/shi/Index.html , Manishakya http://www.flickr.com/photos/manishakya/  Arts Premiers Collection Bruxelles , undated nepalese post card.

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(Courtesy of Mr Richard Lair)

– CALLING OF THE SPIRITS….coming soon

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– DIGITAL HIMALAYA

THANGMI FILM COLLECTION

Since 1997, Mark Turin and Sara Shneiderman have been using digital video to document the cultural complex of Thangmi shamanism and its related cosmology.

Below are five links of short clips of Thangmi shamans conducting rituals which include cutting hair for purification before ritual practice, a narration of the Thangmi origin myth, a healing ritual in Damarang (Dolakha district, Nepal), and an exorcism ritual and subsequent healing ritual in Kodari (Sindhupalcok district, Nepal).

1) Thangmi Shaman Film: Rana Bahadur Cutting His Hair

This film clip shows the senior shaman (or guru in Thangmi) Rana Bahadur having his head shaved by a relative in preparation for an important ritual. Rana Bahadur shared a great deal of his knowledge with anthropologists Shneiderman and Turin before he passed away in late 2002.

Filmed by Mark Turin in Suspa, Dolakha district, Nepal, 2000

http://www.digitalhimalaya.com/collections/thangmiarchive/thangmifilmviewer.php?filmNum=1&bandwidth=1

2) Rana Bahadur Origin Song

This film clip shows the senior shaman (or guru in Thangmi) Rana Bahadur narrating a section of the Thangmi origin myth. He beats a plate to the rhythm of his chanting. Rana Bahadur shared a great deal of his knowledge with anthropologists Shneiderman and Turin before he passed away in late 2002.

Filmed by Mark Turin in Suspa, Dolakha district, Nepal, 2000

http://www.digitalhimalaya.com/collections/thangmiarchive/thangmifilmviewer.php?filmNum=2&bandwidth=1

3) Jit Bahadur Healing Ritual

This film clip shows the young shaman (or guru in Thangmi) Jit Bahadur, the son of Rana Bahadur, beating his drum and going into trance to exorcise the malevolent spirits which have caused a young woman to be ill. The film was shot in complete darkness in an attempt to accurately illustrate the atmosphere of a shamanic seance.

Filmed by Mark Turin in Suspa, Dolakha district, Nepal, 2000.

http://www.digitalhimalaya.com/collections/thangmiarchive/thangmifilmviewer.php?filmNum=3&bandwidth=1

4) Kodari Guru Healing Ritual I

This film clip shows the senior shaman (or guru in Thangmi) Jhankri Maila, preparing flour effigies of the spirit world on a bamboo winnowing tray. After the preparations are complete, he commences the ritual which is a healing ritual for a young woman who has been feeling unwell for some time.

Filmed by Mark Turin in Kodari, Nepal, January 1998.

http://www.digitalhimalaya.com/collections/thangmiarchive/thangmifilmviewer.php?filmNum=4&bandwidth=1

5) Kodari Guru Healing Ritual II

This film clip shows the senior shaman (or guru in Thangmi) Jhankri Maila, with a patient. After asking some preliminary questions about his general health and diet, he checks the patient’s pulse and heart and blows the infection away. Afterwards, they share a cigarette.

Filmed by Mark Turin in Kodari, Nepal, January 1998

http://www.digitalhimalaya.com/collections/thangmiarchive/thangmifilmviewer.php?filmNum=5&bandwidth=1

dyn002_original_480_640_pjpeg_2638188_4a56fb2f92ed68cca7b62024f254b0a3[1]

– NEPALESE SHAMAN KIT FROM BILL MARSH COLLECTION

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See more on

https://ethnoflorence.wordpress.com/2010/01/19/nepal-shaman-art-tamang-shaman-kit-bill-marsh-collection-faces-of-devotion-indian-sculpture-from-the-figiel-collection-on-view-april-10-2010-to-january-16-2012-peabody-essex-museum-salem-ma/

– MUSEE DE LA CASTRE OF CANNES, NEW STUFF

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RENZO FRESCHI multimedia corner…

-EROTIC WOOD CARVINGS IN NEPALI TEMPLE

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(Photo by Nabin Baral, courtesy)

NABIN BARAL is a valid Nepalese photographer friend and collaborator of the Ethoflorence project, see his  documentary pics,  on

http://www.demotix.com/news/226312/erotic-wood-carvings-nepali-temple

– THE VILLAGE GODS OF SOUTH INDIA.

“….I was perplexed because the three sites I had found between Trichinopoly and Madura in that first trip were so extraordinary, so exciting, that I couldn’t believe what I was later to verify through foremost authorities in London and Paris: that the village gods (Grama Devatas) were virtually unknown except to a few theologians and anthropologists…” (Harry Holtzman)

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AFTER MORE THAN 50 YEARS THE UNIQUE HARRY HOLTZMAN FIELD DOCUMENTATION OF 130 SHRINES OF THE SOUTH INDIA VILLAGE GODS , GRAMA DEVATAS, IS WHAT REMAIN OF A LOST WORLD.

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See more on

https://ethnoflorence.wordpress.com/category/aiyanar-village-gods-of-south-india/

– ETHNOFLORENCE EARLY HIMALAYAN PHOTO ARCHIVE, UNDER CONSTRUCTION

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COMING SOON.

NEPAL MASKS .Nepalese masks from the Mamberti-Dias André collection. Richard Lair Collection, a sensitive selection, coming soon.The village gods of south India, Harry Holtzman Collection.

THE VILLAGE GODS OF SOUTH INDIA.

In a letter of November 6 1966, the late  Art historian of South Asian art  Ms Stella Kramrisch (1896 Nikolsburg (now Mikulov), Czech Republic – 1993 Philadelphia, PA) , at that time  Curator of Indian Art of the Philadelphia Museum of Art asked and then obtained  some photographs from the late American Artists Mr  Harry Holtzman  http://en.wikipedia.org/wiki/Harry_Holtzman (1912 NYC – 1987 Lyme Ct) for her scheduled exhibition on traditionally Indian village Art “Unknown India Ritual Art in Tribe and Village”(Philadelphia Museum of Art 1968). (Source: Harry Holtzman paper, Beinecke Rare Book and Manuscript Library, Yale University, New Haven CT USA).

village gods of south India (2)

 AFTER MORE THAN 50 YEARS THE UNIQUE HARRY HOLTZMAN FIELD DOCUMENTATION OF 130 SHRINES OF THE SOUTH INDIA VILLAGE GODS  IS WHAT REMAIN OF A LOST WORLD.

Village gods of South India

See more on :

https://ethnoflorence.wordpress.com/category/aiyanar-village-gods-of-south-india/

-NEPAL. SHAMANISM AND TRIBAL SCULPTURE, Christian Lequindre, Marc Petit.

In collaboration with NEPAL TRIBAL ART

christian lequindre 1

see more on:

https://ethnoflorence.wordpress.com/2012/01/12/nepal-chamanisme-et-sculpture-tribale-christian-lequindre-marc-petit-nepal-tribal-art/

-AN EXCEPTIONAL NEPALESE WOODEN PRIMITIVE FIGURE AND AN INTERESTING GROUP OF HIMALAYAN  MASKS FROM THE MAMBERTI-DIAS ANDRE’ COLLECTION.

01  nepal primitive figure

 02 tibet mask

03 fungus dankhutta wet nepal himalayan mask

04 rai nepal mask

05 northern indian mask

06 kali mask southern nepal rajbansi or dhimal people

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(Photo courtesy  Mamberti-Dias André collection).

 -EXCEPTIONAL NEPALESE FUNGUS MASK FROM THE BILL MARSH COLLECTION 

Bill Marsh

 (Photo courtesy of Bill Marsh)

https://ethnoflorence.wordpress.com/category/collection-bill-marsh/

&

https://ethnoflorence.wordpress.com/2010/01/19/nepal-shaman-art-tamang-shaman-kit-bill-marsh-collection-faces-of-devotion-indian-sculpture-from-the-figiel-collection-on-view-april-10-2010-to-january-16-2012-peabody-essex-museum-salem-ma/

 A selection of nepalese fungus masks is available on

ARTS POPULAIRES DU MONDE 

collection, the new site

of 

PHIL MOURVAN:

dhyangro drum bill marsh collection

see more on
https://ethnoflorence.wordpress.com/category/collection-bill-marsh/

-RICHARD LAIR COLLECTION, A SENSITIVE SELECTION.

Richard Lair collection

(The zoomorphic detail of this nepalese artifact  of the Richard Lair Collection is, for what we know,…unique).

COMING SOON

-ETHNOFLORENCE EARLY HIMALAYAN ARCHIVE. UNDER CONSTRUCTION. COMING SOON.

ETHNOFLOENCE HIMALAYAN FOLK AND TRIBAL ART

-NEPAL, FOLK ART , A LOST WORLD, PICS FROM THE ETHNOFLORENCE HIMALAYAN FOLK AND TRIBAL ART ARCHIVE COLLECTION

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NEPAL SHAMAN ART. TAMANG SHAMAN KIT, BILL MARSH COLLECTION.Faces of Devotion, Indian Sculpture From the Figiel Collection. On view April 10, 2010 to January 16, 2012 Peabody Essex Museum, Salem (MA).

ETHNOFLORENCE

INDIAN AND HIMALAYAN FOLK AND TRIBAL ARTS

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2009

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NEPAL 

SHAMANISM AND TRIBAL SCULPTURE 

https://ethnoflorence.wordpress.com/2012/01/12/nepal-chamanisme-et-sculpture-tribale-christian-lequindre-marc-petit-nepal-tribal-art/

Christian Lequindre, Marc Petit.

9782884747059[1]

In collaboration with NEPAL TRIBAL ART 

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https://ethnoflorence.wordpress.com/2012/01/12/nepal-chamanisme-et-sculpture-tribale-christian-lequindre-marc-petit-nepal-tribal-art/

&

https://ethnoflorence.wordpress.com/category/collection-christian-lequindre/

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MUSEE DE LA CASTRE

NEW ROOM

-MUSEE DE LA CASTRE, CANNES, FRANCE, Himalayan Classic, Folk and Tribal Arts new stuff.

Musee de la castre of Cannes

MUSEE DE LA CASTRE NEW HIMALAYAN ROOM

https://ethnoflorence.wordpress.com/2009/12/27/musee-de-la-castre-cannes-france-himalayan-classic-folk-and-tribal-arts-new-stuff-ethnoflorence-indian-and-himalayan-folk-and-tribal-arts-photo-archive/

MUSEE DE LA CASTRE OLD HIMALAYAN  ROOM

https://ethnoflorence.wordpress.com/2009/10/11/musee-de-la-castre-of-cannes-himalayan-room/

ETHNOFLORENCE

Indian and Himalayan Folk and Tribal arts photo Archive *****************************************

TAMANG SHAMAN KIT

BILL MARSH COLLECTION

– TAMANG SHAMANIC KIT, courtesy of BILL MARSH collection; B/W pics courtesy of Josh Lustig  https://ethnoflorence.wordpress.com/2009/02/01/nepalese-shamans-a-voyage-in-the-soul-trance-ecstasy-and-healing-with-the-photos-of-josh-lustig/  http://www.joshlustig.com/; text courtesy of Italo Bertolasi  from “Jhakri uomini con le ali” Nepal 1971, written  for the exhibition “Viaggi a Oriente”  http://www.italobertolasi.com/viaggioriente.htm  and http://www.italobertolasi.com/index.html.

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“…La gente dell’Himalaya sa che le foreste sono abitate da uomini selvaggi.

Ci sono le tribù dei Kusuda e dei Chepang, scoperte dagli antropologi pochi anni fa, ma anche i Ritte Jhakri, neri e pelosi, che vivono con i Suna Jhakri, acquanauti dal pelo fulvo e dorato.

Consiglio di evitare i Latho Jhakri, muti e pazzi, mentre è un dono divino l’incontro con i Bon Jhakri, nani e vegetariani, verdi e caritatevoli, che insegnano le arti sciamaniche.

Di notte, vicino al fuoco e ai monti più alti della terra, ho incontrato più volte chi mi giurava d’esser stato educato da queste creature dei boschi e come prova mi mostrava i regali ricevuti: pietre sonanti, cristalli e strane reliquie antropomorfe fatte di pelo e radici intrecciate. 

Per sopravvivere allo sterminio e a una caccia a streghe e demoni che mi ricorda quella della nostra inquisizione, molti sciamani si sono dovuti mascherare con liturgie indù e buddiste.

Lo sciamano è un uomo coraggioso, un viaggiatore e un mistico che sfida l’ignoto e il mistero dell’esistenza. E’ un uomo straordinario che riesce a curarsi da dolorose malattie iniziatiche e da laceranti crisi esistenziali che lo strascinano al limite della follia. E’ un artista che inventa psicodrammi e danze estatiche per rinsaldare il gruppo e perpetuare così i miti del Clan. E’ uno psicologo contadino che ristabilisce l’equilibrio armonioso tra il “dentro” e il “fuori”, tra il corpo e l’anima, tra l’uomo e dio. E’ un medico e un erborista che conosce le piante maestre e pscichedeliche, un econauta in viaggio nella natura selvaggia in compagnia degli animali eletti a spiriti guida.

Col “volo magico”, il viaggio interiore,scopre il ritmo vibratorio e le forme dell’Universo. Sale in Paradiso e scende con coraggio nel regno della Morte, la Terra del Grande Ritorno.

Noi, viaggiatori verso Oriente, li abbiamo scelti come maestri del viaggio…”.

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Among the pieces of this Shamanic kit, the interesting iconography of the phurbu and dhyangro handle is comparable with some pieces exhibited in the 2007 Francois Pannier exhibition of Paris.

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Photo courtesy of  Arts Premiers Primitive Art Collection Bruxelles.

And with some items recently exhibited in the Musee de la Castre of Cannes.

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https://ethnoflorence.wordpress.com/2009/12/27/musee-de-la-castre-cannes-france-himalayan-classic-folk-and-tribal-arts-new-stuff-ethnoflorence-indian-and-himalayan-folk-and-tribal-arts-photo-archive/

The shamanic ‘mirror’ from an iconographic view point an unique piece.

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HIMALAYAN SHAMANIC DRUMS IN THE DRUM MUSEUM COLLECTION

– HIMALAYAN  SHAMANIC STUFF OF THE DRUMMUSEUM COLLECTION . Courtesy of Drummuseum
http://www.drummuseum.com/Navigation/Himalaya/index.asp?highmain=4&highsub=0&highsubsub=0,  Shaman pics photo courtesy of Mariarosa Genitrini http://www.nepalese.it/ .

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035 sciamano kham magar scruta l'anima del maiale prima del sacrificio alla divinità tutelare

-Faces of Devotion, Indian Sculpture From the Figiel Collection. On view April 10, 2010 to January 16, 2012  Peabody Essex Museum, Salem  (MA)

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-ETHNOFLORENCE EARLY HIMALAYAN ARCHIVE, UNDER CONSTRUCTION, COMING SOON.

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