The village gods of South India Whitehead, Henry Calcutta 1921

Ethnoflorence

Indian and Himalayan

Folk and Tribal Arts

***

THE VILLAGE GODS

OF SOUTH INDIA

Whitehead, Henry

Calcutta :

Association Press ; London ; Toronto : H. Milford

(1921)

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CLAY HORSES OF AIYANAR

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GRAMA DEVATA SHRINE

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INTERIOR OF A SHRINE WITH SRONES PROBABLY SIMBOL OF THE SEVEN SISTERS

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KARAGAM

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RUDE SHRINE AT ROOT

OF TREE

WITH BARE AS SYMBOL

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RUDE SHRINE

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MINACHI AND THE SEVEN SISTER, CUDDALORE

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SHRINE OF POLERAMMA

 

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SHRINE AND IMAGES OF BISAL MARI

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http://archive.org/details/thevillagegodsof00whituoft

http://archive.org

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Last Updating 11.30.2020

Sketches from Santalistan INDIAN FOLK CULTURE

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

***

SELECTED BIBLIOGRAPHY

PEOPLE OF INDIA

THE SANTAL

*

Sketches from Santalistan 

Minneapolis, Minn. : Den Lutherske Missionaer

Pederson

(1913)

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http://archive.org/details/sketchesfromsant00pede

http://archive.org

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Related key words

animal asked baptized become Christians Bhima Boerresen Bongas Brahmin bring brought bungalow calf called carried Christ  Christian workers cobra coolies door Dulu Dulu’s Dumni eastern world everything field friends gathered head headman heard  heart heathen Hindus husband India Jan Guru jungle Karan killed leave leopard live look Lutu magistrate mahut Marang  medicine mission missionary Mohammedans morning mosquito mother native neighbors night once Padre Pandu pariah dogs passed  perhaps poison pray prayers preach preachers Puchu quinine rains rainy season rice sacred bull Saheb Salku Santal boy  Santalistan servants shouting sick Sirdar Sitol Skrefsrud sleep snake Sohor soon soul stick syce talk tell things thought  tion tobacco told Tower of Silence trouble village white ants wife witch witchcraft woman women young Brani popolari

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LAST UPDATING 12.23.2020

TODA TRIBE Nilgiri plateau Southern India

Ethnoflorence

Indian and Himalayan

Folk and Tribal Arts

*

Travels amongst the Todas

or

The Study of a Primitive Tribe

in South India  

Character, customs, religion, infanticide, polyandry, language with outlines of the Tuda grammar (1873)

********

“Among the Todas of Southern India the holy milkman, who acts as priest of the sacred dairy, is subject to a variety of irksome and burdensome restrictions during the whole time of his incumbency, which may last many years. Thus he must live at the sacred dairy and may never visit his home or any ordinary village. He must be celibate; if he is married he must leave his wife. On no account may any ordinary person touch the holy milkman or the holy dairy; such a touch would so defile his holiness that he would forfeit his office. It is only on two days a week, namely Mondays and Thursdays, that a mere layman may even approach the milkman; on other days if he has any business with him, he must stand at a distance (some say a quarter of a mile) and shout his message across the intervening space. Further, the holy milkman never cuts his hair or pares his nails so long as he holds office; he never crosses a river by a bridge, but wades through a ford and only certain fords; if a death occurs in his clan, he may not attend any of the funeral ceremonies, unless he first resigns his office and descends from the exalted rank of milkman to that of a mere common mortal. Indeed it appears that in old days he had to resign the seals, or rather the pails, of office whenever any member of his clan departed this life. However, these heavy restraints are laid in their entirety only on milkmen of the very highest class”  The Golden Bough: A Study in Magic and Religion

Frazer’s 1922

Photo credit   

http://archive.org/details/travelsamongstto00marsuoft 

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ahttp://archive.org/details/travelsamongstto00marsuoft

**

Others interesting books devoted to the Toda People

THE TODAS – W.H.R. RIVERS – LONDON 1906

&

ABOROGINAL TRIBES OF THE NILGIRI HILLS LONDON 1870

Paper read before the Anthropological Society of London, May 3, 1870, and published by the Society in the Journal of Anthropology

*

NAGA HILL TRIBE ASSAM

NAGA PEOPLE

 

Rengma Naga, marauding hill tribe, Assam 

 

Hill Naga, marauding tribe, Cachar

 

The people of India :

a series of photographic illustrations, with descriptive letterpress, of the races 

and tribes of Hindustan

(1868)

BY

Great Britain. India Office; Kaye, John William, Sir, 1814-1876; Taylor, Meadows, 1808-1876; Watson, J. Forbes 

(John Forbes), 1827-1892

http://digitalgallery.nypl.org

 

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Newar People Slave Population Nepal_The people of India_&_Besch Cannes Art Moderne & Contemporain Arts Premiers, Art D’Asie Art De L’Amerique Precolombienne

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

***

(I)

Indian and Himalayan Bibliography

An Ethnoflorence Selection

***

The people of India

A series of photographic illustrations, with descriptive letterpress, of the races and tribes of Hindustan

Newar or Niwar,

slave population, supposed aboriginal, Nipal.

(1868-1875)

by Watson, J. Forbes (John Forbes), 1827-1892, ed , Kaye, John William, Sir, 1814-1876, Taylor, Meadows, 1808-1876, Great Britain. India Office.

London, India museum, 1868-75

http://digitalgallery.nypl.org 

index.php?id=1125307&t=w

 

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http://digitalgallery.nypl.org

***

 (II)

UPCOMING AUCTIONS

CANNES

BESCH

Commissaire Priseur

Hotel Martinez

22 Juillet 2012

Art Moderne & Contemporain Arts Premiers, Art D’Asie Art De L’Amerique Precolombienne

Some Ghurras and Nepalese Masks are presented in this Auction.

*

(III)

Extracts from Our Photo Archives Collection

Old Western Nepal Male mask

(Mask # 63)

Photo & Composition by Ethnoflorence

Large Old Southern Nepal blue monochrome male mask

(Mask #83)

Photo & Composition by Ethnoflorence

Large Ancient Himalayan crowned mustachioed Mask with Double Eye.

(Mask #87)

Photo & Composition by Ethnoflorence

Large Old Nepalese Gurung Ogre Mask

(Mask #333)

Photo & Composition by Ethnoflorence

Old Large Himalayan zoomorphic mask, with a trisul on the forehead.

(Mask #182)

***

 

 

 

Khonds hill tribe Kattack India

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

***

Khonds, primitive hill tribe,

Kattack

The people of India : a series of photographic illustrations, with descriptive

letterpress, of the races and tribes of Hindustan

1868

by 

Great Britain. India Office; Kaye, John William, Sir, 1814-1876; Taylor, Meadows, 1808-1876; Watson, J. Forbes (John Forbes), 1827-1892

http://digitalgallery.nypl.org

 

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http://digitalgallery.nypl.org

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INDIA FOLK CULTURE:DAIRY and BUTTER CHURNING PROCEDIMENT AMONG THE TODA PEOPLE in THE TODAS by WHR RIVERS, LONDON NEW YORK 1906 – COMPARISON SHEET OF THE BUTTER CHURNING PROCEDURE USED IN THE NEPALESE AND TODA CULTURE

ETHNOFLORENCE

INDIAN AND HIMALAYAN 

FOLK AND TRIBAL ARTS

2008 – 2016

**************************

THE TODAS

by

W.H.R. RIVERS

1

Photo Credit of http://www.archive.org – Composition by Ethnoflorence

FELLOW OF ST. JOHN’S COLLEGE, CAMBRIDGE

WITH ILLUSTRATIONS

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LONDON

MACMILLAN AND CO., Limited

NEW YORK : THE MACMILLAN COMPANY

1906

1

Photo Credit of http://www.archive.org – Composition by Ethnoflorence

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EXTRACTS  

***

PALMAN or MILK TREE

FIG. l8.

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Photo Credit of http://www.archive.org – Composition by Ethnoflorence

The upright staff is called PALMAN , or ‘ milk-tree ‘; the two rings by means of which the churning-stick is fastened to the palman are called PALKATI, or ‘ MILK-TIES’ The cord by which the churning-stick, or MADTH is revolved is called KUDINAM or PALV.

Le bâton droit s’appelle PALMAN , ou ‘ arbre à lait ‘ ; les deux anneaux au moyen desquels le bâton de barattage est attaché au palman sont appelés palkati, ou «liens de lait». La corde par laquelle le barattage, ou madth est enroulé, est appelée kudinan ou palv.

**

LIST OF THE CHIEF DAIRY VESSELS.

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AN EXPLICATED ICONOGRAPHY

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 A. The PALMAN B. The PALKATI C. The MADTH D. A TEDSHK E. The ERTATPUN

F. The PATAT G. The POLMACHOK H. The PARSKADRVENMU I. The IRKARTPUN

K. The ADIMU

*

COMPARISON SHEET OF THE BUTTER CHURNING PROCEDURE USED IN THE NEPALESE AND TODA CULTURE

AN EXPICATED ICONOGRAPHY

Drawing – credit of Paul de Smedt

**

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Last Updating 11.19.2020