Regards Himalayens Kathmandu August 15/16 2014

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

2008-2016

*************************************** 

1544506_776129165734045_1612150311_n[1].jpg

 n. 804

Himalayan Regards

*********

Kathmandu August 15/16,
“Cafè Electric Pagoda”, Thamel, Ktm

 

38.2[1].jpg

 

First Nepali meeting on Himalayan tribal arts and comparison with western “gazes”.

 

The event brought together some exponents of the Himalayan market of Tribal Arts: Shiva Bhandari,
Suman Raj, Bishnu Shrestha, Raju Shrestha, Ram Bohora, Sitaram Bajgayn. 
 

1504567849.3[1].jpg

 This is an attempt to propose an aesthetic and qualitative common ground and a more defined stylistic identity of Himalayan Tribal Arts.

For the meeting, every participant had selected some artworks in order to contribute to the debate around a possible definition of an ‘Himalayan aesthetics’;

controversial subject, which is still widely unknown to the western world or object to misleading interpretations especially if compared with the African aesthethic.

 

 

22.3[1].jpg

43.jpg

 

In representation of the Himalayan art, the meeting had offered  masks from different areas of Nepal, Phurba and wooden sculptures with different patinas.

 

Curator and creator of the event:

 

Dr. Andrea Mordacci 

 

in collaboration with

 

Ethnoflorence.

 

 With the hope that this project, duly enlarged and in the details curated, will be followed by the organization of a first National exhibition in Nepal of
Himalayan tribal arts, possibly during the period spring/summer 2015.

 

zzz (2).jpg

 

Photo courtesy of Ravee Maharjan

 

Enzo Mordacci,
Text by Andrea Mordacci and Ethnoflorence

 

Translation by Alice Borchi and Ethnoforence

 

Edited by

Ethnoflorence

2008-2016

***********

 

*****

*

Yale Art Gallery East of the Wallace Line II

ETHNOFLORENCE

2008-2014

n 803

*

 YALE UNIVERSITY ART GALLERY

NEW HAVEN

CONNECTICUT

Friday, August 15, 2014–Sunday, February 1, 2015

IMG_4437.JPG

EAST OF THE WALLACE LINE

MONUMENTAL ART

FROM

INDONESIA AND NEW GUINEA

PART II

IMG_4428.JPG

Part I

https://ethnoflorence.wordpress.com/2014/08/25/east-of-the-wallace-line-monumental-art-from-indonesia-and-new-guinea/ 

IMG_4431.JPG

Crossing a Line in the Sea

The New York Times

http://www.nytimes.com/2014/08/10/arts/design/east-of-the-wallace-line-opens-at-the-yale-university-art-gallery.html?_r=0

IMG_4545.JPG

IMG_4445.JPG

IMG_4447.JPG

IMG_4449.JPG

IMG_4450.JPG

IMG_4458.JPG

IMG_4462.JPG

IMG_4477.JPG

IMG_4478.JPG

IMG_4481.JPG

IMG_4507.JPG

IMG_4515.JPG

IMG_4518.JPG

IMG_4519.JPG

IMG_4520.JPG

IMG_4537.JPG

IMG_4586.JPG

IMG_4591.JPG

******

 

TROIS CHAMANS RENCONTRS CHAMANIQUES AU NEPAL

TROIS CHAMANS

RENCONTRS CHAMANIQUES AU NEPAL

https://www.facebook.com/events/1506479452923157/?notif_t=plan_user_invited

1.jpg
 18:00 – 20:30 : Meeting and Screening of “Three Shamans” (77 min), with the documentarists Adrien Viel and Aurore Laurent (the projection is on French).
Location : Alliance Française of Venice – Ponte dei Baretteri – San Marco 4939.
“In the heart of Himalayan hills, the Shamans travel in the ethereal. Shamans’ vocation is to relieve suffering people exploring and making contact to the ancestors and spirits’ worlds. Everyone has his method: three stories, three countries, three shamans”
About the documentary

Aurore Laurent said :
“Our purpose was to follow only one Shaman in his pratice, but during the recording, we understand that everyone has his own way to practice shamanism due to the different ethnic groups and heritage. That’s why we understand it would had been reducing telling only one history. Shamans people are usually erudites, poets or insane… We immediately decided to build the movie as a triptyque : 3 report on 3 states of shamanism in Nepal. We followed 3 ethnic groups during the documentary; Gurung, Tamang and Chepang, trying to show how various is this practice, according to ethnich, geographic and economic conditions. In the documentary are well-shown the differences between the first and most alive shamanism and the third more declined one.”

http://3chamans.com/

Infos and reservations : +39 041 720507

(11:00-13:00 and 14:30-18:00)

info@icivenice.com

**********

***

*

AMULETS

TOGCHANG

RUBIN MUSEUM COLLECTION NEW YORK

 

1.jpg

Garuda bird

2.jpg

Garuda bird

1.jpg

Medallions

PHOTO CREDIT HIMALAYAN ART ORG WEB SITE

http://www.himalayanart.org/search/set.cfm?setID=1639

 

Hanuman mask Marcia & Irwin Hersey New York USA – Rajbansi Monkey Mask – Nepal

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

August 24, 2014

***

(I)

Upcoming Auctions

*

ZEMANEK MUNSTER

Discovery Auction in September:

Tribal Art objects with
50% reductions and more

http://www.tribal-art-auktion.de/en/home/

online catalog

http://www.tribal-art-auktion.de/en/catalogue186/d10_1/

LOT 35

Mask of Hanuman.jpg

Photo Credit of Zemanek Munster

Hanuman mask

H: 28,5 cm

H: 11,2 inch

Provenance

Marcia & Irwin Hersey

New York

USA

**

Visual Himalayan Lots Resume with a

Marcia & Irwin Hersey

Provenance

Photo Credit of Zemanek Munster / Photo Composition by Ethnoflorence

*

(II)

ETHNOFLORENCE

EXTRACTS FROM OUR PHOTO ARCHIVES COLLECTION

***

Old Nepalese Monkey Mask

Ethnoflorence Photo Archive Collection

Left & Top side View

Old Nepalese Monkey Mask – Ethnoflorence Photo Archive Collection

Right Side & Forehead Detail

***

LAST UPDATING 2.16.2021

GALERIE DAVID SERRA Ghurras du Nepal Parcours des Mondes Paris 2014

ETHNOFLORENCE
 
INDIAN AND HIMALAYAN
 
FOLK AND TRIBAL ARTS
 
2008 – 2016
 
***************************************
 
PARIS SAINT GERMAIN DES PRES
 
Parcours des Mondes
 
2014
 
9 au 14 septembre
 
*
GALERIE DAVID SERRA
 
Ghurras du Nepal
 
*
Expose chez Galerie Marie-Laure
 
de l’Ecotais
 
49 rue de Seine
 
 

Pour la 13e édition du Parcours des Mondes, la galerie David Serra – Art Tribal présente l’exposition Ghurras du Népal, ainsi qu’un accrochage d’importantes oeuvres d’arts premiers. reproduites dans un catalogue, Arts Premiers 2014

Ghurras.jpg

Ghurras du Nepal Galerie David Serra

see more

http://www.parcoursmondes.com/index.php?section=exposition_detail&post=1853&lang=fr

*******************

Pillared Temple Hall India Madurai Tamil Nadu Philadelphia Museum of Art

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

2008 – 2016

***********************************************

(1)

PILLARED TEMPLE HALL

PHILADELPHIA

MUSEUM OF ART

IMG_0934.JPG

India Madurai Tamil Nadu

c.1550

https://www.philamuseum.org/collections/permanent/40202.html

IMG_0930.JPG

Photo Ethnoflorence

The granite pillars, brackets, and slabs that form this temple hall-mandapa- come from the Madanagopalaswamy Temple, a XVIth century building complex in the South Indian city of Madurai.

IMG_0938.JPG

Photo Ethnoflorence

The complex is dedicated to Krishna, an avatar of the Hindu god Vishnu.

IMG_0960.JPG

Photo Ethnoflorence

The architectural elements installed in the Museum were purchased in 1912 by Adeline Pepper Gibson of Philadelphia while on a visit to Madurai.

They are believed to have come primarily from a frrestanding hall that one stood in front of the main shrine and was probably dismantled in the mid-nineteenth century.

IMG_0965.JPG

Photo Ethnoflorence

Gift of Susan Pepper Gibson, Mary Gibson Henry, and Henry C. Gibson in memory of Adeline Pepper Gibson, 1919-714.

***

To mark the centenary of the arrival of the museum’s Pillared Temple Hall

[https://www.philamuseum.org/collectio…]

in Philadelphia, Dr. Crispin Branfoot of SOAS University of London explores the architecture and sculpture of monumental Hindu temples of sixteenth- to eighteenth-century Tamil south India.

Speakers: Darielle Mason, Crispin Branfoot

Visit the Philadelphia Museum of Art online: http://www.philamuseum.org/

PhilaMuseum on: Facebook: https://www.facebook.com/philamuseum

Twitter: https://twitter.com/philamuseum

Instagram: http://instagram.com/philamuseum

Tumblr: http://philamuseum.tumblr.com/

***

Selected Bigliography

A Pillared Hall

from a Temple at Madura

India

in the Philadelphia Museum of Art

University of Pennsylvania Press. 1940

by

W. Norman Brown

full text here

https://www.jstor.org/stable/j.ctv4t826t

***

Last Updating 10.24.2021