TATTOO TRIBAL KOTAS INDIA NILGIRI HILLS TATTOO MARKS in ANTHROPOLOGY TODAS AND KOTAS MADRAS 1896

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

2008 – 2016

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ADRAS GOVERNMENT MUSEUM

 

BULLETIN N 4

 

ANTHROPOLOGY

 

of the

 

TODAS and KOTAS OF THE NILGIRI HILLS

 

and of the

 

BRAHMANS, KAMMALANS, PALLIS, AND PARIAHS

OF MADRAS CITY.

 

by

 

EDGAR THURSTON

 

MADRAS

 

1896

 

 

KOTAS

TATTOO MARKS 

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Photo www archive org

TATTOO TRIBAL TODA INDIA NILGIRI HILLS TATTOO MARKS in ANTHROPOLOGY TODAS AND KOTAS MADRAS 1896

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

2008 – 2016

**********************

Selected Bibliography

Photo Credit http://www.archive.org – Composition by Ethnoflorence

Madras Government Museum Bullettin no IV

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Anthropology of the

TODAS and KOTAS

of

NILGIRI HILLS

Toda Mand – Photo Credit http://www.archive.org – Composition by Ethnoflorence

and the Brahmans, Kammalans, Pallis, and Pariahs of Madras City

by

Edgar Thurston  

MADRAS  

1896

Photo Credit

http://www.archive.org

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TODA

TATTOO MARKS

Photo Credit http://www.archive.org – Composition by Ethnoflorence

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Plate XXVI

KOTA TATTOO MARKS

Photo Credit http://www.archive.org – Composition by Ethnoflorence

ELABORATE

KOTA TATTOO

MARK

KOTA AND TODA TATTOO MARKS COMPARATIVE VIEW

Photo Credit http://www.archive.org – Composition by Ethnoflorence

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Toda Woman & Toda Man

Photo Credit http://www.archive.org – Composition by Ethnoflorence

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Kota Woman and Kota Man

Photo Credit http://www.archive.org – Composition by Ethnoflorence

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Toda and Kota Drawings

Photo Credit http://www.archive.org – Composition by Ethnoflorence

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Last Updating 10.24.2021

TRAVELS AMONGST THE TODAS or THE STUDY OF A PRIMITIVE TRIBE IN SOUTH INDIA

ETHNOFLORENCE

INDIAN AND HIMALAYAN

FOLK AND TRIBAL ARTS

2008 – 2016

************************

TRAVELS AMONGST THE TODAS

or

THE STUDY OF A PRIMITIVE TRIBE IN

SOUTH INDIA

 

THEIR HISTORY  CHARACTER, CCSTOMS, RELIGION

INFANTICIDE, POLYANDRY, LANGUAGE :

WITH OUTLINES OF THE TUDA GRAMMAR 

by  

WILLIAM E. MARSHALL

 LODON

 LONGMANS GREEN AND CO.

1873

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Conical Temple – BOATH –

Conical temple

BOATH

The Tude or Sacred Bush

Weapons, Bow & Arrow used at Weddings & Funerals

Imitation Buffalo Horns

THE TODA MAND

§§§

THE CONICAL TEMPLE BOATH

§§§

THE TUDE or SACRED BUSH

WEAPON, BOW ARROW, USED AT WEDDING AND FUNERALS

§§§

THE TIRIERI

TODA HOLY PLACE

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INDIA FOLK CULTURE:DAIRY and BUTTER CHURNING PROCEDIMENT AMONG THE TODA PEOPLE in THE TODAS by WHR RIVERS, LONDON NEW YORK 1906 – COMPARISON SHEET OF THE BUTTER CHURNING PROCEDURE USED IN THE NEPALESE AND TODA CULTURE

ETHNOFLORENCE

INDIAN AND HIMALAYAN 

FOLK AND TRIBAL ARTS

2008 – 2016

**************************

THE TODAS

by

W.H.R. RIVERS

Photo Credit of http://www.archive.org – Composition by Ethnoflorence

FELLOW OF ST. JOHN’S COLLEGE, CAMBRIDGE

WITH ILLUSTRATIONS

LONDON

MACMILLAN AND CO., Limited

NEW YORK : THE MACMILLAN COMPANY

1906

Photo Credit of http://www.archive.org – Composition by Ethnoflorence

EXTRACTS  

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PALMAN or MILK TREE

FIG. l8.

Photo Credit of http://www.archive.org – Composition by Ethnoflorence

The upright staff is called PALMAN , or ‘ milk-tree ‘; the two rings by means of which the churning-stick is fastened to the palman are called PALKATI, or ‘ MILK-TIES’ The cord by which the churning-stick, or MADTH is revolved is called KUDINAM or PALV.

Le bâton droit s’appelle PALMAN , ou ‘ arbre à lait ‘ ; les deux anneaux au moyen desquels le bâton de barattage est attaché au palman sont appelés palkati, ou «liens de lait». La corde par laquelle le barattage, ou madth est enroulé, est appelée kudinan ou palv.

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LIST OF THE CHIEF DAIRY VESSELS.

AN EXPLICATED ICONOGRAPHY

 A. The PALMAN B. The PALKATI C. The MADTH D. A TEDSHK E. The ERTATPUN

F. The PATAT G. The POLMACHOK H. The PARSKADRVENMU I. The IRKARTPUN

K. The ADIMU

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COMPARISON SHEET OF THE BUTTER CHURNING PROCEDURE USED IN THE NEPALESE AND TODA CULTURE

AN EXPICATED ICONOGRAPHY

Drawing – credit of Paul de Smedt

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Last Updating 11.19.2020